Many of them grew up in homes without Vinyl Records, CDs and Cassettes. Some artists are finding out that a growing number of consumers want a tangible product. You might decide to do a CD run after all This allows artists and independent record labels to shop around for both services worldwide.
#Create ddp master software#
Work with any Mastering Engineer and CD Pressing Plant around the worldīeing able to deliver a bit-perfect software package as the source for CD manufacturing has made it possible for clients to be able to work with any Mastering Engineer in the world that is capable of creating a DDP, as well as any CD pressing plant that can work with a DDP image to manufacture CDs (I doubt there are any still in business that can’t) without having to set foot in a post office. There are other apps out there that allow you to play DDPs on a computer, as well as mobile devices, making it easy for artists and record labels to be able to check their project before their CDs are pressed.
#Create ddp master mac#
This one allows you to create a standalone DDP player for your clients that they can use to play the CD sequence on any Mac or PC, extract the audio files directly from it and even burn a CD-R complete with CD-TEXT information. There are a few apps that allow you to create DDPs, but a very popular one that is used by many Mastering engineers is HOFA. In short, if CDs are part of your project’s distribution plans, sort out your digital distribution first, then get a DDP made that will include your tracks’ ISRC codes. A DDP image, complete with your project’s track sequence and all metadata including ISRC codes for each of your tracks can be uploaded to whatever file storage system you use on the cloud for archival purposes. If you are interested in making sure that every time one of your CD tracks is played on a platform that tracks royalties, you should probably make sure this data is also added to your CDs (surprisingly, many artists these days get CDs made without ISRC codes embedded, even though they got their start on this format). Ideally, once this happens, a record label will then give the ISRC codes to their mastering engineer so that this data also gets added to the CDs that they will manufacture for sale. These days, when an album is released to the public, Digital Distribution aggregators assign ISRC codes to each track so that sales and streams can be tracked.
#Create ddp master archive#
Nowadays, most people skip CDs and go straight for digital distribution so why care about DDP? Well, here’s a few reasons to consider it: It’s a great way to archive your project, complete with royalties informationĪ lot of people don’t realize that ISRC codes were first used on CDs. Unlike CD-R, DDP images are bit-perfect and I don’t miss the days when I would discover that almost an entire spindle of blank Taiyo Yuden or MAM-A CD-Rs were useless because they failed the data checks after burning the projects on these discs. Having a certain number of errors would mean the discs could be rejected by the pressing plant (or worse-case scenario, you might end up with manufactured CDs with errors on them that translate to clips or skips on some CD players).
Prior to using DDPs, most Mastering engineers provided clients with CD-R discs to send to CD Pressing plants to be the source for CD manufacturing, and if you were doing things the right way, you would first make sure to run C1/C2/CU checks on the discs to make sure they didn’t have too many errors on them. It is essentially a bit-perfect software package that specifies your project’s audio and metadata that is used by CD pressing plants to manufacture CDs, after verifying that your project’s data is 100% correct. This is currently the most accurate pre-mastering standard for CD (and DVD) manufacturing that is used by CD replication plants around the world. If you are still putting out music on CD, you’re probably familiar with DDP (Disc Description Protocol).
0 kommentar(er)
